The Strength of Dreams

  • Sebastián Spreng

    The strength of dreams

    by Lilia Fontana

    Sebastian Spreng is a man of many paradoxes.
    He is a minimalist at heart, but he combines the feeling of isolation of
    an Edward Hopper painting with the Color Field technique of a Mark Rothko.
    The result is a mixture of components creating an original Spreng.

    He has formed a bridge between the psychological and
    the physical. The work is a continuous exploration of the evolution and
    survival of humankind by finding strength in dreams, hopes, and
    aspirations. He creates elaborately rich compositions. His work is
    personal, expressing the inner core of human emotions, perhaps expressing
    his triumphs over the many obstacles he has overcome.

    In his previous work, he portrayed a solitary figure
    within a vast seascape. A single swimmer floating alone in the water
    created a sense of isolation, while at the same time he appeared to have
    no boundaries -possibly a romanticized longing by the artist to set his
    own body free. This figure, though small in its surroundings, seemed to
    have sway over its environment ? able to float away on a whim, free from
    any obstacles.

    Within his newer work, the swimmer is transferred
    into an arbor, and it is juxtaposed within a panoramic landscape that is
    somewhat agoraphobic. Many of these landscapes are inspired in the
    Argentine pampas, but their aesthetics is definitely American with
    European roots and references to the Romantic landscape. Each piece has a
    painted line around the composition, creating a self-contained frame
    within a frame. Spreng creates for the viewer the illusion of looking
    through a window and witnessing his phantasmic world. They are simple
    arrangements, where trees become biomorphic forms enclosed in a
    Rothkoesque background.

    Layer upon layer of rich textures create his
    surfaces. His compositions generate stillness and a delicate balance of
    forms accentuating a harmonious interaction. Spreng´s personal aesthetic
    and individual style are unmistakable. He has recontextualized the pampas
    into an oneiric American perception, as seen in the piece “Keeping
    Distances (An American Portrait).” In this piece, he depicts a series of
    contiguous scenes stemming from a train ride he took through his native
    Argentina. Vertical lines break up the landscape, recalling the view from
    a moving train´s window. It is an oeuvre full of nostalgia and longing.
    The piece is elegantly painted with greens and whites creating the
    illusion of a faded old photograph.

    “Peace” is a depiction of a forest done with
    different variations of green. It is inspired in a Wassily Kandinsky
    quote, “green is giving and doesn´t ask for anything in return.” Spreng
    reevaluates the semiotics of color within the context of the composition,
    meticulously reminiscent of the urbanization of the ephemeral landscapes.

    “Breaking the Waves” generates a deeply spiritual
    experience. Profoundly mimetic of his longings, it is a distant island in
    the middle of the ocean, creating a total sense of aloneness in the midst
    of a hostile world. It is a boat-like island mimetic of a doomed
    transatlantic liner.
    The island is compressed between two horizontal
    blue shapes, while the brightness in the middle echoes the horizon line.
    Though the title implies a rough sea, Spreng provides a calm light after a
    storm. The image suggests a sense of optimism that human strength will
    prevail against all adversities.

    In “The Mammoths of Memory”, Spreng transforms his
    trees to characterize giant mammoths alluding to memory´s overwhelming
    persecution of thought. Spreng places a white line going off into
    infinity, representing the journeys of times gone by and the haunting
    imprint of those travels.
    The sturdy ruggedness of these firmly
    planted compositions perhaps reveals an evolution within the artist. The
    trees are the survivors of all the uncertainties life can pose; not even
    swayed by heavy turmoil will their roots be loosened.

    They are firmly planted and will survive. The work is
    a personal decree from the artist, a work that seems to state,” I,
    Sebastian Spreng, am master of my life and master of my world.”

Comments are closed.